This article covers Film Analysis : Shall We Dance? (Shall We Dansu?, Suo Masayuki, 1995).
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Film Analysis : Shall We Dance? (Shall We Dansu?, Suo Masayuki, 1995)
Audiences have varying responses and reactions to a film or scenes within the film. Some people are not impressed by what others perceive as interesting (Kolstrup, 1998). This paper analyzes the movie “Shall We Dance?” and selects an impressive scene to discuss. For me, the most remarkable scene is the ballroom dance by Aoki.
The scene is hilarious and crazy as Sugiyama, Hattori, and Tanaka watch along. Sugiyama enters the ballroom to find Aoki dancing with a partner. Sugiyama, Hattori, and Tanaka are impressed with the dance moves, and their reactions are just hilarious. The scene is well set, perfectly integrating the dance with the reactions of those watching. The arrangement and the sequence of the events in the scene, the mixing of movements, and the soundtrack make the description easy and straightforward.
Every aspect of the scene is well described and blended within the storyline. At first, Sugiyama, Hattori, Tanaka had no idea about who the male dancer was. The dancer is smooth with the moves, something Sugiyama desires. A surprise encounter marks the ending of the scene. Aoki and his partner bump into Takahashi, who becomes irritated, pulling Aoki by the hair, only to realize he is wearing a wig. Those watching along are very surprised seeing the perfect dancer was Aoki. It is interesting how the events are arranged to surprise the end since Aoki never intended to reveal his identity. The editing of the scene and the reassembling of different pieces to create humor is impressive.
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Bordwell and Thompson (2009) note that film editing is arranging and assembling the shots in a particularly preferred sequence. The editor sets the consecutive shots at the end of the previous shots. Shots are arranged in a specific order to meet the editor’s objective. In this case, the editor has placed the shots to create humor and surprise. Those watching would not have suspected Aoki was the dancer, but the sequence of events to reveal his identity at the end of the scene is perfect. The scene’s editing shapes audiences’ response and reaction to that particular scene and the whole film.
Generally, the film is exciting in many aspects, including how the characters are staged and how events have been arranged. The film integrates humor, romance, friendship, and career life. A perfect assembly of various events is required to represent all these aspects in the same movie and prevent any sense of monotony (Kolstrup, 1998). The particular scene is awe-inspiring, and the body language reactions to the dance by those watching is hilarious.
The keyword is standardization because it involves linear uniformity of film structure to serve audiences’ universal needs. Standardization is a perfect term to describe changes in Hollywood practices to attain uniformity and stability. The industrial standardization offers linear uniformity in narrative structures and dimensions such as rules, production, grades, film sizes, and safety provisions (Fell, 1987). Standardization has become a norm in reaching excellence and producing precise and quality objects.
Bordwell, D., & Thompson, K. (2009). The relation of shot to shot: Editing. Film art: An introduction, 218-263.
Fell, J. (1987). The Classical Hollywood Cinema: Film Style and Mode of Production to 1960 by David Bordwell, Janet Staiger, Kristin Thompson.
Kolstrup, S. (1998). The notion of editing. pov, 31.